{"title":"Magazines","description":"\u003cp\u003eBrowse our Magazines collection. Free Shipping.\u003c\/p\u003e","products":[{"product_id":"issue-030-aprilmay-2001","title":"Issue 030 April\/May 2001","description":"\u003cp\u003eIn this Issue:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChanging the Face of British Makeup: Christopher Tucker\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChristopher Tucker, one of the pioneers in British film and television make-up, divides his time between the world of make-up and the cutting-edge arena of directing commercials. \u003cem\u003eMake-Up Artist\u003c\/em\u003e magazine takes a look at his iconic work, from \u003cem\u003eThe Elephant Man\u003c\/em\u003e to Hunchback in a Panasonic commercial.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLaura Mercier: Flawless\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAside from designing the make-up for Chanel's French ad campaigns, and receiving awards for her involvement in campaigns on behalf of top designers, such as Calvin Klein, Dolce \u0026amp; Gabbana, Versace and Valentino, Laura Mercier continues to enhance the features of some of Hollywood's most flawless faces on frequent covers of \u003cem\u003eAllure\u003c\/em\u003e, \u003cem\u003eVogue\u003c\/em\u003e and \u003cem\u003eHarper's Bazaar\u003c\/em\u003e. In this article, she discusses her love for art, being a make-up artist, and her role as a cosmetic creator.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLarger than Life: Evan Penny\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOnscreen or in the gallery, Evan Penny's work explores the visual measure of man. His sculptures are compelling puzzles that beg many questions. From the unnerving realism to the sensual shapes, they demonstrate a remarkable mastery of figurative sculpting of the human form. His film works includes \u003cem\u003eJacob's Ladder\u003c\/em\u003e, \u003cem\u003eLegends of the Fall\u003c\/em\u003e and \u003cem\u003eeXistenZ\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLocal 706 Guild Awards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA rundown of the winners in motion pictures and television. Some honorees include: Judy Chin, Daniel Striepeke, Thomas Nellen, Rick Baker, Long Bentley, Jennifer Aspinall, Michael Westmore, Patricia Messina, Beth Thompson, and Jeffrey Fetzer.\u003c\/p\u003e","brand":"Make-Up Artist Magazine","offers":[{"title":"Beauty","offer_id":47596124864674,"sku":"mmg1787923726807","price":2.64,"currency_code":"USD","in_stock":true},{"title":"Character 2","offer_id":47596124897442,"sku":"zqn1787923726808","price":2.84,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0670\/2979\/4978\/files\/issue-030-aprilmay-2001_1.jpg?v=1787923730"},{"product_id":"issue-056-augustseptember-2005","title":"Issue 056 August\/September 2005","description":"\u003cp\u003eMake-up artist legend \u003cstrong\u003eDick Smith:\u003c\/strong\u003e his 60 years in the make-up business;\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIMATS\/L.A\u003c\/strong\u003e., which featured Dave Elsey (\u003cspan style=\"font-style: italic;\"\u003eStar Wars Episode 3: Revenge of the Sith\u003c\/span\u003e), Scott Barnes (celebrity make-up artist) and Bill Corso (Oscar winner for \u003cspan style=\"font-style: italic;\"\u003eLemony Snicket's A Series of Unfortunate Events\u003c\/span\u003e);\u003c\/p\u003e\n\u003cp\u003eCelebrity make-up artist \u003cstrong\u003eKaran Mitchell\u003c\/strong\u003e and her cover girls.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNeal Scanlan\u003c\/strong\u003e is the man behind the make-up effects of Tim Burton's \u003cstrong\u003e\u003cspan style=\"font-style: italic;\"\u003eCharlie and the Chocolate Factory\u003c\/span\u003e.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Make-Up Artist Magazine","offers":[{"title":"Character","offer_id":47596125159586,"sku":"mhy1787923727407","price":3.04,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0670\/2979\/4978\/files\/issue-056-augustseptember-2005_1.jpg?v=1787923732"},{"product_id":"issue-029-februarymarch-2001","title":"Issue 029 February\/March 2001","description":"\u003cp\u003eIn this Issue:\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eRace for the Oscar\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA look at the possible contenders for the \"Outstanding Achievement in Make-up\" award, from \u003cem\u003eBedazzled\u003c\/em\u003e to \u003cem\u003eX-Men\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003ePageant of the Masters\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eSince the Pageant of the Masters' inception more than sixty years ago, it has evolved into a theatrical production incorporating a culmination of sophisticated lighting, make-up, costumes, intricate set design, and actors that literally transform life into art before your eyes.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eStunts: Double Trouble\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMake-up artist Jeff Dawn talks about making-over stunt and photo doubles.\u003c\/p\u003e\n","brand":"Make-Up Artist Magazine","offers":[{"title":"Default Title","offer_id":47596125257890,"sku":"qwd1787923727415","price":3.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0670\/2979\/4978\/files\/issue-029-februarymarch-2001_1.jpg?v=1787923732"},{"product_id":"issue-024-aprilmay-2000","title":"Issue 024 April\/May 2000","description":"\u003cp\u003eIn this Issue:\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eStoned Again: A Bigger, Better \u003cem\u003eFlintstones\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eThe Flinstones in Viva Rock Vegas\u003c\/em\u003e, the sequel to 1994's \u003cem\u003eThe Flintstones\u003c\/em\u003e, is a joyous ode to the splendor of imaginative character make-ups. Which is exciting for co-department heads Christina Smith and Cindy Barr-Bright (who was department head on the original) and special make-up\/prosthetics artist Matthew Mungle. Join \u003cem\u003eMA\u003c\/em\u003e as we find out why, in Matthew Mungle's words, this movie \"was really hard, an enormous undertaking. But it was all worth it - \u003cem\u003eThe Flintstones\u003c\/em\u003e was a lot of fun in the end.\"\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eRoxanna Floyd: Woman of Color\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eEven as a child, Floyd had big dreams of making it in the make-up industry, ever since she saw those beautiful women behind the make-up counter at her local department store. Not only did she make it, she is now one of the nation's most sought after African-American make-up experts; her regular clientele includes Angela Bassett, Whitney Houston, and Queen Latifah, just to name a few. Often referred to as The Queen of Natural, Floyd is a master at creating glamorous looks with very little make-up. We talk with her about her career, her favorite products and what is takes to make it in the make-up industry.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eAlternative Choices: Make-Up Careers Outside of Entertainment\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe idea of a career in make-up artistry has captured the dreams and aspirations of many. The creativity, challenge, fun and (on rare occasions) fame and glamour, are a strong lure for those who have \"caught the bug.\" Although one of the most popular career destinations for aspiring artists has been film and television make-up, the area of make-up artistry is very diverse and there are many alternatives. Join \u003cem\u003eMA\u003c\/em\u003e as we explore the many possibilities available, from retail to runway. You may discover a new passion for an area of make-up you had not considered.\u003c\/p\u003e\n","brand":"Make-Up Artist Magazine","offers":[{"title":"Default Title","offer_id":47596125388962,"sku":"xpi1787923729373","price":2.88,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0670\/2979\/4978\/files\/issue-024-aprilmay-2000_1.jpg?v=1787923733"},{"product_id":"issue-077-marchapril-2009","title":"Issue 077 March\/April 2009","description":"\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eWatching \u003cspan style=\"font-style: italic;\"\u003eWatchmen\u003c\/span\u003e\u003c\/span\u003e:  How creating the eagerly awaited comic book film was sometimes a superhuman task.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eEvil Twins! Steamy Affairs! Regular Paychecks!\u003c\/span\u003e: Soap operas offer artists steady employment.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eThe Natural\u003c\/span\u003e: Angelina Jolie's go-to artist, Mary Burton, talks to Brett Glass about how her career has grow organically.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eEighth Wonder\u003c\/span\u003e: IMATS U.K. 2009, now in its eighth edition, thrives even in tough economic times.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003ePlus\u003c\/span\u003e: \u003cstrong\u003eGreg Cannom\u003c\/strong\u003e on his Oscar win; \u003cstrong\u003e\u003cspan style=\"font-style: italic;\"\u003eNip\/Tuck\u003c\/span\u003e\u003c\/strong\u003e's final season; Inauguration Day madness for make-up artists; tributes to Majel Barrett Roddenberry and Forrest J Ackerman; part two of \"Faerie Build\"; and an Oscar red carpet Beauty Breakdown on Freida Pinto.\u003c\/p\u003e","brand":"Make-Up Artist Magazine","offers":[{"title":"Character","offer_id":47596125946018,"sku":"bxh1787923728018","price":3.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0670\/2979\/4978\/files\/issue-077-marchapril-2009_1.jpg?v=1787923736"},{"product_id":"issue-058-decemberjanuary-2005","title":"Issue 058 December\/January 2005","description":"\u003cp\u003ePeter Jackson called upon his Oscar-winning \u003cspan style=\"font-style: italic;\"\u003eLord of the Rings\u003c\/span\u003e team to do make-up and effects for \u003cstrong\u003e\u003cspan style=\"font-style: italic;\"\u003eKing Kong.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWe look at six films from 2005 that are generating make-up \u003cstrong\u003eOscar buzz.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDaniel Sandler\u003c\/strong\u003e developed his \"keep it simple\" approach over 20 years of runway, print and celebrity work.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRick Baker\u003c\/strong\u003e plays with ZBrush.\u003c\/p\u003e","brand":"Make-Up Artist Magazine","offers":[{"title":"Character","offer_id":47596126765218,"sku":"htu1787923736650","price":3.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0670\/2979\/4978\/files\/issue-058-decemberjanuary-2005_1.jpg?v=1787923740"},{"product_id":"issue-063-novemberdecember-2006","title":"Issue 063 November\/December 2006","description":"\u003cp\u003eIn this issue:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGolden Opportunity by Ron Magid\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFrom Apocalypto to Pirates of the Caribbean II, the accomplished and varied make-up work in each of these six films deserves to be considered for an Academy Award.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEntering the Labyrinth by Ron Magid\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePan's Labyrinth is a dark fantasy with imaginative creations because its director has worked as a make-up artist and DDT SFX put the creatures in it together.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrosty Delight by Joe Nazzaro\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Santa Clause 3 make-up team has confidence, practice, and the ability to adapt. Their experience pays off when they encounter hundreds of elves and a major flood.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Man Who Aged Me by Tom Hanks\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTom Hanks worked with make-up artist Dan Striepeke on 17 films. Striepeke retired this year, and in this tribute to him, Hanks reveals the milestones they shared. (Originally published in The New York Times.)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaco Blancas by Paul Vale\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMake-up artist Paco Blancas celebrates the textures and colors of skin—and he's not afraid to start over.\u003c\/p\u003e","brand":"Make-Up Artist Magazine","offers":[{"title":"Character","offer_id":47596127486114,"sku":"xlj1787923738832","price":6.6,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0670\/2979\/4978\/files\/issue-063-novemberdecember-2006_1.jpg?v=1787923746"},{"product_id":"issue-082-januaryfebruary-2010","title":"Issue 082 January\/February 2010","description":"\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eFirst-ever Toronto IMATS Makes History: \u003c\/span\u003eThe new Eastern Canada show draws make-up pros and fans. \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eReturn of the Wolfman:\u003c\/span\u003e \u003cstrong\u003eRick Baker\u003c\/strong\u003e revisits an iconic character; we look back at movie werewolf history. \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eGleam Team:\u003c\/span\u003e This beauty spread goes for glam with silver, gold and black. Make-up by Angela Holthuis; photographed by Izabela Habur\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eMust-See TV Make-up:\u003c\/span\u003e Look for mud, blood, vampires and models in 2010. \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eThe Living Canvas:\u003c\/span\u003e Top international body painters share their secrets to success. \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eColor Chameleon:\u003c\/span\u003e In Dior veteran Tyen's world, any shade is possible and ugly doesn't exist. \u003c\/p\u003e","brand":"Make-Up Artist Magazine","offers":[{"title":"Character","offer_id":47596127682722,"sku":"mog1787923742805","price":3.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0670\/2979\/4978\/files\/issue-082-januaryfebruary-2010_1.jpg?v=1787923746"},{"product_id":"issue-064-januaryfebruary-2007","title":"Issue 064 January\/February 2007","description":"\u003cp\u003eIn this issue:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eApocalypto\u003c\/em\u003e Gallery\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSpectacular make-up was an intricate daily ritual on the set of \u003cem\u003eApocalypto\u003c\/em\u003e. We bring you six pages of remarkable photos and concept art. Plus: department head Vittorio Sodano's step-by-step instructions for the silicone transfer technique used on the film.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAll or Nothing by Joe Nazzaro\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChristine Blundell values eclecticism, and has taken on every kind of make-up and hair challenge that piqued her interest — from punk rockers to Peter Pan to James Bond. The Brit alternates big-budget films with small, and frequently works with unconventional director Mike Leigh. The BAFTA and Oscar winner is currently thinking sci-fi.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIt's in the Blood by Ron Magid\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDaniel Parker's father told him, \"If you go into films, don't go into make-up.\" But Parker did follow in his father's footsteps (\"Why not one movie?\") and his talent was confirmed with a BAFTA award. Here, he talks about his father, what went wrong with Frankenstein, and lessons he'll teach students at his new school in France. Pros, listen up.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAlways the 'it' Girl by Shannon Levy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePati Dubroff creates Oscar season's hottest red-carpet looks, and finds L.A. an ideal locale for her work with A-list actresses. But the native New Yorker has a serious pedigree: spokesperson for Dior Beauty, and former assistant to the great Francois Nars. Includes a Q\u0026amp;A with an artist who finds \"timelessness\" in making up Hollywood's girls-of-the-moment.\u003c\/p\u003e","brand":"Make-Up Artist Magazine","offers":[{"title":"Character","offer_id":47596127813794,"sku":"mcu1787923742938","price":6.7,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0670\/2979\/4978\/files\/issue-064-januaryfebruary-2007_1.jpg?v=1787923747"},{"product_id":"issue-070-januaryfebruary-2008","title":"Issue 070 January\/February 2008","description":"\u003cp\u003eIn this issue:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEvery Witch Way\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRick Baker's design (which Kazuhiro Tsuji, Bill Corso and Mike Marino helped execute) turns the lovely Susan Sarandon into a snaggletoothed old hag for the Disney fairy tale Enchanted.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRenaissance Man by Eileen Conlan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhether he's working the couture runways of Paris or developing hi-def products, make-up artist and instructor Roque Cozzette is focused on the future.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaking Faces for the Small Screen by Brett Glass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMusic videos have become mini-movies, and the make-up has kept up with the production value. But creating the right look for Madonna, Pink and Christina Aguilera can be even more demanding than working on a movie if people aren't on the same page. Three seasoned artists tell their tales on how to survive in the MTV world of make-up.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMake-Up on the Road\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTraveling with a touring band presents opportunities and obstacles for make-up artists. The downsides include months away from home, sleeping in hotels and living out of a suitcase. But the rewards are a chance to see the world, hone your skills daily and live life like a rock star.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSweeney Todd by John Calhoun\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe hit stage musical gets a silver-screen treatment, with Ve Neill turning Johnny Depp into the Demon Barber of Fleet Street. Make-up designer Peter Owen (Sleepy Hollow, Charlie and the Chocolate Factory) teams up again with director Tim Burton, giving Todd its distinctive look.\u003c\/p\u003e","brand":"Make-Up Artist Magazine","offers":[{"title":"Character","offer_id":47596128862370,"sku":"npa1787923727416","price":2.68,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0670\/2979\/4978\/files\/issue-070-januaryfebruary-2008_1.jpg?v=1787923754"}],"url":"https:\/\/www.dawnvella.com\/collections\/magazines.oembed","provider":"Dawnvella Shop","version":"1.0","type":"link"}